ASSIGNMENT ONE:

Photograph a Stranger.

Assigned Friday, April 14th: Due Friday, April 28, 2017

Criteria:

  • The person should be unknown to you.
  • It can be a street portrait, studio portrait or environmental portrait.
  • The portrait should be simply lit.
  • Tell us a little bit about the person – through the image and the caption.
  • Tell us how you approached and worked with the subject(s) for the project.

Photographing someone you don’t know can be a scary proposition for many of us. I am fairly shy, or at least not that comfortable with walking up to someone and striking up a conversation. I usually will not do that.

UNLESS… I have my camera around my neck or in my hand. When I am ‘a photographer’ I can easily and without hesitation walk up to people and ask to make their picture. I do it a lot, actually.

You see, the camera gives me cover. The camera makes it about the photograph, not me. The camera is both a shield and a passport to meeting people.

fisherman-horizontal

In the photograph above, I saw this guy sitting on the cold pier with his 6-pack and I walked right over to him. I smiled and introduced myself, told him I liked his beard and his lunch and asked if I could make a few photographs. He smiled and agreed and I brought some lights over and set them up.

All the while we were chatting about the weather and how it had affected the fishing that week. He told us about having three boats sink under him and how he had great respect for the sea.

I got my shots and met a very cool guy. It also gave me an idea for a project we complete in another city.

NOTE: It is important that you understand this is not a ‘street portrait” or a ‘voyeuristic’ portrait where the subject does not know you are taking their photograph. I want you to engage the stranger, put them in proper light and make your shot. MAKE your shot. While many of us do quick and simple portraits of strangers, I want this to be one that you create – quickly. In other words, this is not a ‘grab shot’ scenario.

Here are some links and videos to get your imaginations going. (Oh, and to that little voice that holds you back from walking up to someone you don’t know… tell that little voice to go away, you are a photographer and this must be done. Period.)

Here is Lee Friedlander’s wonderful book: America by Car:

There are many portraits of strangers interspersed with the shots from his car.

Watch Mark Cohen at work:

Not my style at all, but he gets some pretty interesting photographs. If this kind of portraiture appeals to you, here is how Mark does it.

Joel Meyorowitz:

One of my favorite photographers is Eliott Erwitt. See his work here. Lots of photographs of strangers with a very humanistic and humorous approach.

Here is Ian Berry in Rome.

Which of these photographers do you identify with in the specific “Photographing a Stranger” assignment?

Eric Mcnatt Photographer
Eric Ogden
Dawoud Bey
David Eustace
Richard Rinaldi

Matt Dutile makes wonderful portraits of people he meets on his travels. Here is an interview with him where he discusses travel photography and making portraits, not street grabs, of the people he meets.

Robert Frank photographed the people he met… strangers. His book, “The Americans” was a landmark collection of photography and he influenced countless photographers in the ‘street’ photography genre. Here is a link to his images and this is the book to add to you collection of important photographic books.

And remember this is NOT street photography. I want the subject to be involved with you. In fact I challenge you to use only a 28MM, 35mm, or 50MM lens on your camera (note: these are relative to a full frame camera).

This is a portrait, not a candid. Get in close, engage the subject and catch them engaging US the viewer. Photos that are shot without the subject’s consent are candids or “street photography” – this is calling for you to make a portrait and BE engaged with them.


Here are some beautiful portraits of strangers from the last class: